Skip to main content

The Narnia Books and Films: Two ways of understanding power

Hollywood knows power as bloodthirsty lust for more, but Christian power is sacrifice - something yielded rather than wielded, something that makes us more noble rather than crushing others.

On Theology Network Steven Boyer writes on How the new films subvert Lewis's vision:
"I always felt . . . how hard it must have been, particularly for Peter, to have gone from being high king to going back to high school, and what that would do to him, do to his ego. . . . I always thought that would be a really hard thing for a kid to go through." Adamson acknowledges that this emotional turmoil was “not something that C. S. Lewis really got into,” but as director he wanted “to create more depth for the characters, more reality to the situation.” He wanted “to deal with what all the kids would go through having left behind that incredible experience and wanting to relive it.”  This emotional realism was Adamson’s explicit aim, and as a result, the screenwriters who put this scene together were actively encouraged to think about what it would be like to go from “king” to “schoolboy”—not a pleasant prospect, of course, and one to which any of us might react with bitterness and resentment, just as Peter does.
Any of us might react that way—but that is because we have not breathed the air of Narnia. We are thinking like ordinary persons (and worse, like self-sufficient, twenty-first-century, Western intellectuals) instead of like knights or kings. In Lewis’s telling of all of the Narnia tales, the children’s experiences as kings and queens in Narnia consistently transform them into nobler, more virtuous people in their own world. They are not spoiled children wanting to be kings again; they are noble kings who carry that very nobility back into their non-royal roles as schoolchildren. But not so in Hollywood. To be a king at all is to hunger for power forevermore, like a tiger that has tasted human blood and ever afterwards is a “man-eater.” To lose imperial power by being transported back to England is to become a bitter, sullen, acrimonious brat. That is just what Peter has become, and his folly is the driving force behind most of the action in the movie.

Comments

  1. Cheers Dave - keep on thinking and helping us see the gospel through the lens of our popular culture

    ReplyDelete

Post a Comment

Popular posts from this blog

"Big eyes full of wonder"

Books. Fiction. Libraries. Second only to churches as are the best gateways in your community to ultimate reality and new possibilities.

Our local library has just re-opened after refurbishment, and I love that our boys have spent several mornings there during the summer holidays, discovering some wonderful new stories.

I realised a few months back that I wasn't reading enough fiction. My work necessitates reading a lot of non-fiction, a mix of historical and contemporary thinking, biblical studies and theology. But fiction is the cinderella. Easily overlooked, and yet able to awaken my imagination and show me the way things are meant to be.

So I've picked up a few more lately - bought and borrowed. Not every book attempted flies, and that's ok. These have been winners though.

Ink. This is Alice Broadway's debut novel. It's young adult fiction and tells the story of Leora who lives in a world where the events of your life are tattooed on your skin. Nothing gets hid…

Uniquely Matthew

Reading gospel accounts in parallel is sometimes used to blur the differences in perspective between the evangelists, seeking to harmonise the texts and find a definitive historical account of what happened. No such thing exists because every account is biased and limited. You simply can't record everything. You have to hold a vantage point. And that's not a problem.

Matthew, Mark and Luke take a very different vantage point to John who was of course an eyewitness himself of the events. Comparing the text of Matthew, Mark and Luke across the death and resurrection of Jesus yields two steps.

Firstly, the common ground. All three accounts tell of...
Simon of Cyrene carrying the cross…. · Jesus labelled as King of the Jews…. · Criminals crucified with Jesus… · Darkness in the daytime… · Jesus' loud final cry… The women who witnessed Jesus death, and Jesus' burial… · The tomb lent to Jesus by Joseph of Arimithea… · The women who went to the tomb on the morning of the…

Songs we're singing in Church

Christians are a singing people, it's part of what we do when we gather.

Our church meets morning an evening on a Sunday - normally using 5 songs in each service. So, over the year that's about 520 song-slots available. The report from the database system we use (http://planningcenteronline.com/) tells us that in the past year we've sung about 150 different songs.

Our current most used song has been sung 11 times in the last year, just under once a month. Our top 10 are used about every 6 weeks. By #30 we're talking about songs used every two months. The tail is long and includes loads of classic hymns from across the centuries, plus other songs from the past 40 years, that we have used around once a term or less.

1. Rejoice - Dustin Kensrue



2. Come Praise & Glorify - Bob Kauflin



3. Man of Sorrows - Hillsong



4. Cornerstone - Hillsong


Rejoice was a song I didn't previously know, along with a couple of others that have quickly become firm favourites for me: Chri…